Saturday, May 28, 2011

BIG SCREEN: Kung Fu Panda 2 Revieux

I’m pretty dubious of sequels when I really, really liked the original. That’s why when I saw an interview with Jack Black recently and he mentioned how Kung Fu Panda 2 is more serious and delves into the question of Po’s birth parents (the dude who raised him is a goose, as you may recall), I actually groaned aloud. Please don’t try to pluck my heartstrings when I’m trying to enjoy some lighthearted animation! I’m still in therapy after Toy Story 3, for crying out loud!

So, in this go-round, Po is enjoying his status as the celebrated Dragon Warrior, but when he and the Furious Five are called in to rescue the village from some wolf-thugs, an emblem worn by one of the bad guys induces confusing flashbacks to Po’s origins. It turns out that the evil dude who sent the wolves to pillage the village is not only out to end kung fu with a seemingly unstoppable weapon, but he knows how Po came to be separated from his mom and dad. Can Po uncover the truth while remaining focused on saving kung fu from annihilation?

I’m happy to report the filmmakers actually did a good job finding a balance here. They added a little more substance to the story line without making it too terribly heavy. It was sweet and nostalgic without reducing me to a blubbering mess like the aforementioned Toy Story finale. (For that, I’m grateful.) And I wondered how they would maintain the silliness with Po now being a kung fu master and all, but he still manages to screw up just enough to keep him lovably buffoonish. It's not quite as funny as the first movie--there's not nearly as much funny banter between Po, the Furious Five and Master Shifu (all voiced by the original actors)--but the visuals are super cool, and it kept both me and my five-year-old adequately entertained. AND, I’m assuming there’s a number three in the works, as they left us with a serious cliffhanger!

PS -- Luckily, my kid opted for the NON-3-D version. Hallelujah. I imagine I'd be back to my cranky ol' self had I been forced to don those idiotic glasses one more stinkin' time.

For New Orleans-area movie theaters and showtimes, visit...
http://neworleans.mrmovietimes.com/

Thursday, May 19, 2011

BIG SCREEN: Pirates of the Caribbean: On Stranger Tides Revieux (Rated PG-13)

So, in this, the fourth installment of the Pirates of the Caribbean franchise, Captain Jack Sparrow, his old nemesis Barbossa (Geoffrey Rush), and the legendary Blackbeard (Ian McShane) are all after the mythical Fountain of Youth. Keira Knightly and Orlando Bloom are out and Penelope Cruz is in as a scorned woman from Jack’s past who returns with a few surprises for our boy. A little magic, some zombies, a lot of sword fighting, beautiful but deadly mermaids. Jack swaggers, pirates argh, blah blah blah…

Do I sound underwhelmed? Well, I ‘spose I should preface my review with a couple of things. First of all, I was stuck breathing in the stench of a gabby, halitosistic (Is that a word? Should be) woman beside me for the full 2 hours and 17 minutes. People, if you’re going to be a blabbermouth, at least have fresh breath. If your breath reeks of mothballs (and, really, you should know), SHUT IT!!

Secondly, enough with the 3-D. There was absolutely no point to this annoying feature, especially when it’s only used to highlight some random, stagy sword thrusts directly into the camera. And I don’t need to feel as though Johnny Depp’s lovely pointed nose is going to jab me in the cornea to appreciate his magnificent face.

But, alas, I don’t suppose I can blame my lack of enthusiasm for this movie on Miss Stank Breath or glasses that are, I think, designed for Persian cats (they have flat faces, y’know). Here’s the thing. I sort of understand why they would ditch Keira and Orlando in an effort to freshen up the formula. But, the problem is, they don’t really freshen it up. There are now gaping holes where the youthful zeal and humorous banter once were. Penelope Cruz certainly adds some serious Spanish smolder, and I dug seeing a strong woman pirate – but the old chemistry seems to have fizzled. Don’t get me wrong, it’s still action-packed and visually flawless (or it would be without the idiotic 3-D nonsense) and who could ever tire of seeing Johnny D. in the sexy pirate get-up? But, nevertheless, it all feels tired and played out.

On the bright side, the casting is once again amazing. Geoffrey Rush: genius. Ian McShane: the absolute only choice to play Blackbeard ever again. But the highlight for me was a VERY surprising little cameo by Dame Judi Dench, one of my modern day heroes. How cool is she for showing up in the middle of this silliness, however briefly? Oh, and Keith Richards is on the screen for a few scant moments, too. More screen time for these two could’ve bumped up my opinion. And playing opposite each other would’ve been cinematic genius! Says me.

The filmmakers certainly left room for another sequel with the way they ended this installment, but, while I’ll still probably see the next one, I won’t be tripping all over myself to get to the theater.

(PS -- It still might be a bit scary for the more skittish young ‘uns, but the level of violence and gore is less than or equal to some of the previous Pirates.)

For New Orleans-area movie theaters and showtimes, visit...
http://neworleans.mrmovietimes.com/

BIG SCREEN: The Greatest Movie Ever Sold Revieux (Rated PG-13)

Have you heard anything at all about The Greatest Movie Ever Sold? Probably not, and I think I know why. Okay, I’m going to categorize it, and you have to promise not to click over to play Angry Birds or whatever people are wasting time on these day. Ready? DOCUMENTARY.

Now, now, stick with me -- it’s not your garden variety documentary. It’s from Morgan Spurlock, the guy who did Super Size Me. Certainly you heard about that – the guy ate off the McDonald’s menu for a year and tracked his declining health along the way? Well, this time, the human guinea pig attempts to finance an entire movie with advertising dollars – without losing artistic control. Can he “buy in” without “selling out?”

We watch as Spurlock pitches and haggles with (sometimes clueless, amusingly enough) marketing execs and lawyers and such. He also seeks advice and feedback from the likes of consumer watchdog Ralph Nader, industry insiders, people on the street, and even famous directors, like J.J. Abrams, Quentin Tarantino, and Brett Ratner. Without batting an eye, Ratner (Rush Hour, X-Men) scoffs at the concept of artistic integrity, as “we’re all selling out.” I suppose this should be seen as refreshingly honest, but I found myself feeling deeply disgusted – sometimes a little b.s. is a good thing, dude. Ick.

As the movie progresses, it clearly illustrates how we’re shamelessly manipulated by the advertising and motion picture industries. Yeah, we all knew it, but it’s way worse than we imagined. Product placement is bad enough, but when Spurlock undergoes an MRI while viewing TV ads, the visual evidence of “neuromarketing” is irrefutable. Holy smokes, they’re screwing with our brain chemistry?!

But, just when you think your attitude towards advertising is set in stone, the clever filmmaker throws a curve ball. The concept: advertising in schools. Unacceptable, right? Well, for one thing, there’s already an educational TV network in lots of schools which gets paid prime-time rates for its ad spots. Also, when Spurlock meets with members of the Broward County, Florida, school board, they make a compelling argument about offsetting devastating public school budget cuts with ads on buses and fences. Maybe even selling naming rights to the school! It’s not such a cut-and-dry ethical choice for a district that’s losing vital programs. Hm. Food for thought.

If it weren’t for Spurlock’s witty and clever approach, this would have certainly been a snore of a movie. But it’s actually hilarious and full of delightful irony. A movie that entertains me AND makes me think? Wow, what a novel idea! I’m sold.

For New Orleans-area movie theaters and showtimes, visit...
http://neworleans.mrmovietimes.com/

Tuesday, May 17, 2011

BIG SCREEN: Bridesmaids Revieux (Rated R)

I’ve heard a lot of people describe Bridesmaids as The Hangover for women. This did not sound encouraging to me. Seriously. There’s certainly a time and place for raunchy dude flicks, but do women still feel like they have to act like men to transcend the stereotypical chick flick and be riotously funny? Ugh, Kristen Wiig (Saturday Night Live) is sort of an over-the-top comedian, anyway – so, I had visions of extreme desperation and hammy performances dancing obnoxiously in my head. But, I’m pleased to say, this was not the case.

Wiig plays Annie, a down-on-her-luck 30-something who’s lost her business, boyfriend, and entire life savings all in one fell swoop, and is now eking out a pretty pathetic existence. Her job stinks, her car’s a junker, and her “friend with benefits” (Jon Hamm) is a serious jerk. But her relationship with her childhood best friend, Lillian (Maya Rudolph), is a ray of sunlight and it brings out the best in her. When Lillian gets engaged and asks Annie to be her maid of honor, however, Annie’s whole rickety house of cards pretty much gets blown to smithereens, thanks to her own insecurities and a really competitive/overly perfect fellow bridesmaid. And we watch her total deconstruction play out with cringe-worthy, but hilarious results.

Quite contrary to my expectations, Wiig and Rudolph (and a great supporting cast) actually turn in some truly authentic and funny performances. And even if I didn’t tell you that Wiig wrote this movie with a girlfriend, you’d still be able to tell it was written by women. Why? What makes it NOT The Hangover for women? Heart and soul (we women like a little substance, right?). Not enough to make it super sappy and ruin the comedic aspects, but enough to give it some weight and to balance out the bawdy humor and crazy sight-gags. And there’s plenty of both, don’t worry.

As I watched, I imagined that most women will find it amusing, but I wondered how many will actually identify with Annie. While many women married their college sweethearts or dutifully worked their way up the corporate ladder, there were many of us—er—many women out there, I'm told, who made terrible choices and maybe partied a bit too much and told each other lewd jokes and dated the wrong people for the wrong reasons. We--I mean, they give themselves away by laughing the loudest in the theater. Busted!

Although, yes, dudes directed and produced it – Bridesmaids is a movie written by women, about women, with an uncensored sense of humor. Hallelujah! How refreshing! Perfect for a girls’ night out!

For New Orleans-area movie theaters and showtimes, visit...
http://neworleans.mrmovietimes.com/

Saturday, May 7, 2011

BIG SCREEN: Thor 3D Revieux (PG-13)

How’s your knowledge of Norse mythology? About as dismal as mine? Good, so I’ll keep the plot of this movie really simple…

Just as the mighty, but arrogant warrior Thor (played by the otherworldly hot Chris Hemsworth) is set to ascend to his aging father’s throne and become king of the cosmic realm of Asgard, he goes and defies King Odin (Sir Anthony Hopkins), reigniting an ancient war in the process. Needless to say, Dad is ticked. He strips his son of his powers (and his notorious hammer) and banishes him to Earth, where he meets and falls in love with a lady astrophysicist named Jane Foster (Natalie Portman). Which is all well and good, but can he learn his lesson and return to his native world in time to save it from certain doom???

Okay, I don’t mean to brag (actually, I do – but I’ve been a stay-at-home mommy for 5.5 years, so cut me some slack!), but I actually got to meet and interview Thor’s director, Kenneth Branagh, in the late 90s. Not only was he even more dashing and handsome in person, but he was just a cool, cool customer. He’s best known for his amazing Shakespearean film adaptations, so I went into Thor with mixed feelings. Sure, I dig the actor/director’s interpretation of the bard’s plays and he left a good impression on me personally, but a sci-fi/action movie? I was dubious.

A few minutes into the movie, I had a really bad feeling. It felt a little corny AND I was wishing I’d read up on the notes. Outstanding visuals aside – costumes, sets, special effects, and 3D effects -- I started to feel a little lost and disinterested, what with all the crazy Scandinavian names and soaring dialog (sadly, it doesn't take much these days). But then, somehow, it all shifted into this perfect balance. DING! So stinkin' cool!

Is it because they found a happy medium between comic book and mythology -- neither insultingly glib, nor obnoxiously cerebral? Was it the introduction of an astrophysicist, who made the concept of traveling through worm holes to distant planets seem plausible? Hard to say, but I think the story finally caught up with the mindblowing visuals for me when Natalie Portman’s character quoted Arthur C. Clarke (2001: A Space Odyssey): “Magic is science we don’t understand, yet.” Love that! Makes suspending disbelief just a little bit easier.

As I left the theater, I wished I’d brought my 5-year-old son, because I think he would’ve dug it. Not nearly as gory or violent as I thought it would be. It’s PG-13 because of “sequences of intense sci-fi action and violence." But I think if they can handle Star Wars, this is totally comparable in intensity.

PS -- Stick around through the credits for a little bonus cosmic 3D stuff! Totally worth it!

For New Orleans-area movie theaters and showtimes, visit...
http://neworleans.mrmovietimes.com/

Thursday, May 5, 2011

BIG EASY: The Historic Latter Branch Library

As a still-enamored transplant, I often wonder if it’s possible for natives to truly appreciate how amazing New Orleans is. So much culture, so many hidden gems tucked away everywhere. Is its abundance of charm taken for granted if you’ve grown up with it? Because no other city I’ve ever lived in (the final count is nine) is such a treasure trove.

Being the library geek that I am, I was especially thrilled to discover my latest find. (Disclaimer: “library geek” kinda implies some sort of lofty intelligence. I’m medium-smart and not exactly the most well-read chick ever. I’ve just had multiple library/publishing industry jobs, and have an abnormal affinity to writers and the buildings that house their wares.) Anyway, my latest discovery: The Milton H. Latter Branch of the New Orleans Public Library.

When we first moved here a year ago, I immediately began dragging my son up and down every street and alleyway, investigating every nook and cranny in this burg. Museums, parks, various neighborhoods, festivals, you name it. And every time we rode the St. Charles streetcar last summer (which was a lot), I gazed at that lovely, tarp-covered mansion on the hill and wondered when the renovations would be completed. I was dying to see the inside of this palace-cum-library, with its huge yard (would you refer to the huge space surrounding the house as grounds? Yard seems so inadequate!) and enviable location.

Anyway, when fall rolled around and school started and Saints fever broke out and work got revved up – I totally forgot about my castle crush. Then, a couple of months ago, as we chauffered out-of-town guests down St. Charles, I saw that it was finally open. Hooray! Of course, this town is so packed with festivals and parties and distractions, it took me until now to actually cross the threshold, but I finally did.

Have you ever been in there? Man, it’s like getting to forgo the $25+ admission fee charged by fancy Uptown or Garden District tours-of-homes. This particular home is, of course, a bit on the shabby-chic side and still being renovated, but I happen to find that endearing. I was happy to see that they have a printed brochure as you enter the building, which delves into the structure’s history and details regarding its decorative features. Built in 1907, its previous inhabitants have ranged from silent film star to a famous aviator to a horse racing magnate. The final owners purchased the mansion with the specific intention of transforming it into a memorial public library for their son Milton Latter, who died in Okinawa during World War II. A-ha. This explains it. That loving gesture certainly translates into the overall vibe of this library.

After passing through the art deco-ish front doors and tile mosaic entryway, you’re kind of transported back in time. To the right is a sitting room – no books or computers or anything – just an ornate room, complete with a marble fireplace, silk wall panels, a charmingly shabby pink settee and chairs, and an amazing fresco on the ceiling, picturing a multitude of cherubic angels. I learned that the fresco (as well as the one in the other front room) was imported from France, and originally graced the ceilings in a French Quarter mansion. The room to the left of the entry is a little more functional, and I think I shall henceforth refer to it as the “periodicals parlor.” As it's, y’know, where the magazines are.

The librarians’ desk is on the back wall of the great foyer, and on my visit, was crowded with very friendly and helpful staff (I’ve worked in many a library – trust me, that ain’t always the case). To my delight, steps away from the desk, I spotted a large, cedar-shaving-filled aquarium, which houses a fluffy and lively guinea pig named, “Rhetoric.” (I’m told there’s a movement afoot to change this rather, um, academic moniker.) What a sweet little surprise!

To the left of the front desk is the rather imposing, medieval-looking dining room, which contains several long tables that were populated by students on a field trip when I was there. Through the dining room, on the front corner of the house is a bright, cozy, little sunroom with a mosaic tile floor, a couple of small tables, some wicker chairs, and a bay window filled with potted plants. I had to sit in here for a few minutes and jot down notes as I enjoyed the view, which included a passing streetcar. Ahhh.

Past the front desk, towards the back of the house is the comfy, homey children’s section. In addition to shelves full of kids’ books, it features a shelf of Caldecott-winning books right up front, clothes-line displays of coloring sheets overhead, and a super sunny glass alcove filled with beanbag chairs! I resisted the urge to plop down for an afternoon siesta, but it wasn’t easy.

Up the soaring, curved mohagany staircase is… well, a much less charming space. Grownup books, tables, chairs, computers, blah blah blah. But, I guess this is where the actual work gets done!

A walk around the grounds reveals long-ago abandoned patios and gardens, and a lovely carriage house (that’s almost as big as my actual house), which hosts a book sale every Wednesday and Saturday, from 10am-2pm.

Who has public libraries like this?! God bless New Orleans and its ability to preserve and repurpose historic structures.

I look for any excuse to venture into New Orleans’ historic neighborhoods, and this is a great one. It’s somehow satisfying to be able to pull up to a grand ol’ St. Charles mansion and stroll in like I own the place. As extra incentive, they’re challenging children to register to read five books and win free admission to the Ringling Bros and Barnum & Bailey Circus (New Orleans Arena, June 16-19). Count us in!

For a full list of events, stop in at 5120 St. Charles Avenue, call 596-2625, or visit nutrias.org.