Friday, December 21, 2012
BIG SCREEN: Les Miserables Revieux (PG-13)
So, the plot… a 19th century Frenchman named Jean Valjean (Hugh Jackman) is finally released from prison after serving nineteen grueling years for stealing a loaf of bread. As he jumps parole and tries to make a new, meaningful life for himself, he’s ceaselessly hunted by Javert (Russell Crowe), the man who made his life extra hellish in prison. Just as he’s about to surrender to Javert, Valjean finds a new reason to remain free when he vows to raise the young daughter of a destitute, dying factory worker (Anne Hathaway), and later finds himself fighting alongside the passionate young rebels of the French Revolution.
In addition to the breathtaking cinematography and wonderful directing by Tom Hooper (The King's Speech), what makes this version so successful is the casting. Pure genius, with maybe one or two missteps.
Anne Hathaway and Hugh Jackman are just astounding. Hathaway’s raw portrayal of Fantine is just hard to comprehend. The musical’s signature song, “I Dreamed a Dream” has been done a zillion times, yet she manages to totally own and reinterpret it in a gut-wrenching fashion. How the heck do you emote and sob to the degree that she did, while maintaining vocal control? If they did overdubs, I don’t want to know.
And Jackman’s amazing transformation into a hollow, unrecognizable shell of a man at the start of the film is mindboggling. He then proceeds to ably carry the entire film, and beautifully performs some seriously, seriously difficult songs. Holy smokes, is that dude talented.
The child actors are all heartbreakingly spot-on, Helena Bonham Carter and Sacha Baron Cohen as the innkeeper and his wife are brilliantly absurd, and the rest of the supporting cast members just nail it. Then, there’s Russell Crowe. One of the aforementioned missteps. Oh, Russell. Bless his heart, he’s not bad, but next to all the powerhouses, he just falls short. You can sense the incredible amount of effort he puts into the role, but it just doesn’t measure up to everyone else. I felt sort of the same way about Amanda Seyfried as the adult Cosette. The acting was great, the vocals just didn’t do it for me. Bummer.
Other than those two blips, the rest of the film is just perfection. Do yourself a favor, though – be sure to go with fellow musical lovers. It’s pretty faithful to the stage play – all singing, all the time for two-and-a-half hours. Trust me, you do not want to sit next to someone sighing and squirming throughout the movie, as I did. You may also want to make a pact with your fellow moviegoers to be allowed to freely and openly weep, as needed. I seriously would like to rent an entire theater out for myself so I can sing and sob to my heart’s content.
It’s a true masterpiece. Enjoy!
Thursday, September 27, 2012
BIG EASY: Adventure Quest Laser Tag
Don’t get me wrong, I’m a working mom who has to budget both time and money. I’m not some Real Housewife of New Orleans, who throws elaborate parties that cost more than a mid-sized sedan. I’m just talking about the kiddie arcades and bounce places where you get in, play, eat, hand out goodie bags, get out, shell out some cash to the proprietor, and retreat to your nice clean house. We’ve enjoyed partying with the giant mouse and the inflatables in years past, but we had the ultimate little boy birthday party at Adventure Quest Laser Tag in Harahan last weekend, and it was a HUGE success!
If you’ve never been there, file it away in your brain for the next rainy day or boring day-off from school. It’s got an arcade and laser tag (obviously), plus cosmic bumper cars and mini golf. They have three birthday packages at different price points to choose from, depending on how many activities you’re looking for and what extras interest you. Each one includes a private party room, a party attendant, two slices of pizza per guest, unlimited drinks, table settings (plates, cups napkins), cake serving tools (utensils, candles, lighter, knives), a birthday banner, and at least two of the aforementioned activities. This also covers up to 12 guests, with a per guest fee applied to any overage. That fee varies from package to package.
We chose the middle “Treasure” package and purchased the medium sized bundle of video game tokens, which was $50 for 220 tokens. (Please note: we had eight seven-year-old boys, and it barely lasted us until the end of the party!)
As our guests arrived, our very helpful attendant slapped a wristband on them, handed them their tokens, and sent them on their way. As you can imagine, this place can get a little hectic, which is why it’s so awesome that someone else kept up with our itinerary and announced over the PA when and where our party guests needed to go. And each time, the boys would magically appear, like a herd of spastic little monkeys. Our attendant helped serve the kids their lunch, cake, and drinks – and the table would miraculously get cleared afterwards. Our bags of supplies and gifts even found their way to a cart at the conclusion of the party. Amazing!
The kids had an outstanding time, our stress level was very minimal, and we returned to a relatively tidy house, where we could put up our feet and nap for the rest of the afternoon. Name one 1950s housewife who got to enjoy that! Sometimes progress is a good thing!
For more information, or to book your party, visit http://www.lasertagnola.com/ or call (504) 207-4444.
Thursday, July 19, 2012
BIG SCREEN: The Dark Knight Rises Revieux (PG-13)
So, in this, the final installment of Christopher Nolan's Batman franchise, Bruce Wayne has hung up his suits (both the Bat and tuxedo varieties), and withdrawn from the world, letting himself and his company fall into ruin. Broken in body and soul ever since the traumas he endured eight years ago in The Dark Knight, he’s pretty much become a recluse at stately Wayne Manor. It’s only after – you guessed it – Gotham City really needs him that he gets back in the game.
As for the cast, Christian Bale, Michael Caine, Gary Oldman, and Morgan Freeman are back as Batman, Alfred, Commissioner Gordon, and Lucious Fox, respectively. New to the mix are Joseph Gordon-Levitt as a rookie cop who seems to be the only brave and logical man on the force; Anne Hathaway as icy, badass “cat burglar,” Selina Kyle; and Tom Hardy as Bane, a terrifying, partially masked, Darth Vader-y terrorist leader who takes the whole city hostage, and turns an energy fusion core, developed by Wayne Enterprises, into a nuclear bomb that’s set to demolish the city.
Suffice it to say, Batman and the citizen of Gotham wind up facing some insurmountable odds. Like, really, truly, impossibly impossible odds. That’s where the suspension of disbelief was truly tested for me. But, I’ve heard that critics who’ve written negatively about the film have gotten death threats, so perhaps I’ll get to the positive stuff first… Cool Bat vehicles. Elaborate sets, locations, and special effects. Amazing cast. Impressively unnerving bad guy.
Okay, now the not-so positive stuff. First of all, it was kind of overly ambitious, in both population and scale, which made it a bit cluttered and clunky. Sometimes just a tad less is more. Also, uh -- Bruce wears pointy ears, a cape, and fake torso muscles, but he has absolutely no wit or sense of humor. I find costumed people who take themselves too seriously to be really funny, which, I’m sure, was not the desired effect, so that was a little distracting. A little self-deprecating levity might have also made the little spinklings of bad dialogue, which are totally acceptable and sort of expected in action movies, a little more palatable. I was also a little distracted by a few questionable plot points that made the aforementioned suspension of disbelief a bit tough for me. Once “wait a minute, he couldn’t have…” starts rattling around in my brain, it’s a problem for me.
It’s been eight long years since The Dark Knight came out, so perhaps you’ve forgotten or never saw it in the first place, but this franchise doesn’t exactly produce the kid-friendly variety of PG-13 material. I take my six-year-old son to the occasional PG-13 movie, such as The Amazing Spider-Man, which was totally fine for him. But I would not take him to this one. Not only is it incredibly long (almost three hours – even I got a little squirmy), but it’s far more frighteningly sinister and intense than most comic book-inspired movies. He’s disappointed, of course, but this ain’t Xbox Lego Batman.
Anyway, it’s quite an impressive spectacle overall, and I’m pretty sure most serious Batman fans will approve. And, I suppose, if I can allow myself to shrug off the implausibility of a one-handed Nicolas Cage falling in love with Cher because she cries at the opera (yeah, I’m talkin’ Moonstruck, people), then maybe this movie can be forgiven for its little shortcomings.
The Dark Knight Rises is now showing in New Orleans. Go here for theaters and showtimes.
Monday, July 2, 2012
BIG SCREEN: Meet the Inspiring Talent Behind Louisiana's "Beasts of the Southern Wild"
The makers of Beasts of the Southern Wild, an independent film that’s been winning film festival awards and getting lots of great industry buzz, took on the rather daunting task of trying to convey the strange and remarkable undercurrent of energy that truly separates this region from the rest of the country, with pretty impressive results. Just as the movie's co-writer, Lucy Alibar suggests, “It’s cinematic, completely visual, and sensory. It does everything that only a movie can do.”
Shot in Terrebonne Parish using local, first-time actors, it’s the story of a young girl named Hushpuppy who lives in a remote, fictional swamp community at the very tip of Louisiana, called The Bathtub. Her mother has long since abandoned her, and her alcoholic, ailing father (Dwight Henry, owner of the Buttermilk Drop Bakery and Café in Mid-City, New Orleans) uses a tough-love approach in preparing his daughter for his death and an impending storm, which is threatening to decimate their home.
At first glance, theirs is a filthy, harsh, bizarre existence, but as the story progresses, with the help of Hushpuppy’s insightful and colorful narration, and a rather unconventional filmmaking style, we begin to appreciate the amazing outlook that the lifestyle and culture has afforded this little girl. It combines mythological elements (prehistoric cave paintings that come to life) with ecological considerations (the destruction of Louisiana’s wetlands, thanks to disruptive levees) and existential ponderings (Hushpuppy often contemplates the unraveling of the fabric of the universe). The outcome is a very primal, yet sort of high-concept representation of the region. Does that sound obtuse and pretentious? Sorry, it’s a multi-layered film that’s a bit hard to describe!
Luckily, I got the chance to speak with the filmmaker, his co-writer, and the star of the movie just before the New Orleans premiere. Each add some much-needed humanity to my clumsy attempt at a synopsis.
After a little prodding, Quvenzhané Wallis, the spunky eight-year-old from Houma, Louisiana, who plays Hushpuppy, sheepishly admits that like any normal kid, she’d rather be spending time with her Yorkshire Terrier and family at home. But she politely responds to a question about the grueling post-production marketing campaign (which has included press junkets and trips down the red carpet in Cannes, L.A., and now New Orleans) by happily chirping, “I want to be positive, it’s all been great and beautiful!”
When I first met Quvenzhané, known as “Nazie” to friends and family, she had casually plopped herself in the director’s lap, and remained there while we chatted. This may sound a little sketchy on paper, but it was actually quite sweet, as Behn Zeitlin is a youthful, moppy-haired 29-year-old who seems more like her big brother than the boss who made her traipse around the swamps for seven weeks.
On the subject of filming the movie, she says, while grinning and hugging Behn’s neck, “It was not boring with this director! And I liked all the animals, except the pig. He was big and fat,” she admits, seemingly struggling to stop herself from holding her nose, as though indicating a possible pork-based hygiene issue would be rude. “And I’m used to the swamp, but I’m not used to the mosquitoes – all the mosquitoes! We don’t have mosquitoes like that in Houma!”
Mosquitos weren’t the only challenges they faced during filming. Guess what oil well in the Gulf of Mexico exploded during day-one of production! Considering the storyline of the movie, I wondered what effect the timing of the BP oil spill disaster would have on the production.
“It definitely felt like life imitating art. It was eery,” Behn explains. “We didn’t want to make a political movie or anything that was about the science of (Hurricane Katrina) or a call to action, but more of an emotional experience of living through an environmental catastrophe.”
And there it was. Right on cue.
Benh has been friends with his co-writer, the aforementioned Lucy Alibar, since they were 13 years old, so their decision to collaborate was an easy one. For this project, they decided to combine elements of Lucy’s imaginative, Southern gothic play, Juicy and Delicious, which is based on her own struggle to come to terms with her father’s declining health, with Behn’s short film, Glory at Sea, which is about a mysterious man who gets people to build a boat using Hurricane Katrina wreckage to rescue loved ones lost at sea. To gain a little insight during the writing process, they moved into a Terrebonne Parish fishing village to observe the language and the general vibe of the locals.
Lucy is a sunny, thoughtful young woman who uses her whole body to speak. When describing her experience in Louisiana, she gets a distant look in her eyes and seems to channel the tides, making wide, fluid motions with her arms. “I had never been to Louisiana before, but it felt like home,“ she admits. Then, she sums up the locals’ style of communication thusly, “They give you the whole world when you ask a simple question.”
Behn conveys a similarly esoteric, feel-don’t-think approach when describing the production. “We cast as we wrote, and we kind of let actors rewrite their roles. We tried to let places and people that are in the film breathe and speak for themselves, and not bring in preconceived notions. We were just trying to… stay back and not force any ideas.”
In speaking with both Benh and Lucy, you can’t help but recognize the heartfelt fondness they feel for this region. Benh has made New Orleans’ Bywater neighborhood his permanent home, while Lucy admits that she’s never felt like a true New Yorker, and she wants to move to New Orleans, as well. I wondered how two writers from New York could connect so quickly and deeply with South Louisiana, then I discovered, they both have roots in the South. Behn’s mom is from South Carolina, while Lucy is originally from South Georgia.
Ah, therein lies the basis for the connection. South Louisiana is like the foreign-born cousin to the Deep South. It’s definitely its own country, but with some decidedly familial Southern threads.
As unique and somewhat odd as it is, Beasts of the Southern Wild probably won’t be everyone’s cup of tea, but those who get it, will really appreciate the affection with which this film was made. It taps into and conveys the indescribably energy that locals are born with, and so many of us transplants are so excited to discover.
Beasts of the Southern Wild opens at The Theatres at Canal Place and Prytania Theater on July 4.
Friday, June 22, 2012
BIG SCREEN: Brave 3D Revieux (Rated PG)
From the second it begins, Brave definitely has a different vibe than most Disney princess movies. It’s beautiful and ethereal, but with a slight… darkness and depth, I guess? It’s hard to pinpoint, but there’s a quality about it that makes it feel more akin to centuries-old European fables than to the Americanized cotton candy fairytales of the last several decades. So, off to a good start.
And then, we meet Merida (Kelly Macdonald). She’s a young Scottish princess whose unruly red hair matches her wild, adventurous spirit. Though she’d rather charge through the forest on her trusty steed and practice extreme archery and execute death-defying rock-climbs, her lovely, graceful, almond-eyed mother, Queen Elinor (Emma Thompson) desperately tries to instill in her daughter a sense of royal duty and decorum. The two stand in stark contrast to one another, and they are constantly butting heads.
When Merida finds out she is to become betrothed against her will, she makes some reckless choices that put her mother and the entire kingdom in peril. There’s no doubt she’s gutsy, but she’ll now have to rely on her heart and her head to right these terrible wrongs.
One of the things I loved most about this movie is that it didn’t lay out a standard good guys vs. bad guys scenario. No evil stepmother, no pristine heroine, no smarmy prince. All the principal characters were more complicated. They had flaws, made mistakes, faced major challenges, and learned valuable lessons. WOW! Just like in real life. What a concept.
I really, really dug Brave, and am hoping it resonates with kids. It’s got magic and humor and awesome characters -- her burly dad (Billy Connolly) and mischievous and mute triplet brothers are pure delight -- and I think Merida might be my favorite Disney princess ever. Mainly because she is the anti-Disney princess. And the fact that my six-year-old son wanted to discuss the moral of the story and the meaning of the metaphors (my words, not his, but still!) proves that a cartoon can actually be mentally stimulating to kids.
There’s a time and place for schmaltz and mindless silliness, but it sure is nice to get treated to a little smarting up instead of dumbing down in a kids' movie every now and then!
Monday, June 4, 2012
BIG EASY: Restaurant R’evolution
I can’t begin to express the sheer delight I experience when I receive invitations like this: “Join us for a champagne reception, ribbon cutting, and grand opening celebration for Chef John Folse’s Restaurant R’evolution.”
Who, me? Hobnob with the likes of Mayor Landrieu and Secretary of State Dardenne, not to mention the legendary Chef Folse, the divine Mrs. Leah Chase, and the sublime Irvin Mayfield, whose Jazz Playhouse will serve nibbly things from the R’evolution’s kitchen? Seriously, I thought I'd died and gone to New Orleans heaven. (What other kind is there, right?)
As we sipped lovely bubbly in the lush courtyard of the Royal Sonesta Hotel in the French Quarter, a lineup of distinguished speakers took turns singing the praises of everyone involved in this joint venture between Chefs Folse and Rick Tramonto of Chicago, which offers “reinterpretations of classic Cajun and Creole cuisine.” Following the speeches, they moved on to the cutting of the ribbon. And by “ribbon,” I mean a garland of groceries. Wielding razor-sharp chef’s knives, they sliced and diced their way through peppers, garlic, sausages, and sweet potatoes, signifying the commencement of the mad dash (only a slight exaggeration) to the new facility, conveniently located adjacent to the hotel courtyard, with another entrance on Bienville Street.
The space is divided into multiple distinctive areas: Bar R’Evolution, a sophisticated, lantern-lit bar area with a gray slate floor, lots of dark wood, and gracefully arching backlit curio cabinets; the Storyville Parlor, a lavish center dining room with a grand chandelier and delicate hand-painted murals that depict New Orleans’ seven most distinctive cultural influences; the checkerboard-floored Market Room, so named for its old-world vibe, complete with cypress-topped communal tables and vintage-looking glass coolers, stocked with hanging roasts and such; the semi-private Wine Room, with a view of, you guessed it, the impressive 10,000-bottle wine collection; plus the Bienville Suite and Courtyard Room, which flank the hotel’s courtyard and Bienville Street, respectively.
We were also given a personal tour of the million-dollar custom-built Viking kitchen, which was both fascinating and intimidating. And while such tours may not be conducted so freely during regular operating hours, if you’re willing to shell out a few extra bucks, you can reserve the very secluded private chef's dining room for you and your friends. It comes complete with a private entrance and a bird’s eye view of the kitchen.
So. Stinkin’. Cool.
Okay, so on to the food. Let’s just say, if I still had a gallbladder, it would have punished me violently for indulging in an evening of such gastronomical decadence. There was a station set up to sample a dizzying array of cured meats and cheeses, and another for roasted pork and oysters, but the true delights were served like a tray parade of culinary treats. Everyone descended like locusts every time a server emerged with a fresh tray, so if you weren’t smart enough to station yourself near the kitchen door, well, you just had to suffer the disappointment of grabbing at an empty tray.
Guess where I stayed. And guess why my notes (and pictures) are so sparse. ‘Tis very difficult to balance a wine glass and plate while scribbling on paper or operating a camera, people! So, I focused most of my attention on tray after tray of perfectly seared scallops, velvety foie gras, bright and briny caviar (made from local alligator gar eggs, believe it or not!), impossibly tender sliced tenderloin, tangy goat cheese and beet salad, savory duck ravioli, and my personal favorite of the night – incredibly rich turtle soup (the recipe, dating back to the 1800s, is displayed prominently on a mirrored wall, by the way). Of course, there were also desserts like coffee beignets, Turbodog chocolate cake, and my second favorite of the night – white chocolate bread pudding with a crème brulee topping. Completely unreal.
Oh, there was more, but I seriously can’t recall the rest. Partly because of my poor note-taking, and perhaps, partly because of the free-flowing Chardonnay and Cuvee Blanc. Yes, like I always say: I'm more of an "eatie" than a "foodie." Therefore, I sacrificed journalistic integrity for gluttonous indulgence... and I'd do it again!!
Suffice it to say, the food is outrageous and the ambience is exquisite. Both cuisine and décor are painstakingly loaded with details and nuances that pay homage to our beloved city! Viva la R’evolution!
The restaurant is now officially open (as of June 4), so I highly recommend reserving that table asap. A place this amazing is guaranteed to book up fast!
Restaurant R'evolution
504.553.2277
http://revolutionnola.com
Thursday, May 31, 2012
BIG SCREEN: Darling Companion Revieux (Rated PG-13)
Diane Keaton and Kevin Kline star as Beth and Joseph, a married couple with a bit of empty nest syndrome. Joseph is an uptight surgeon who has no patience for Beth’s high-strung disposition and emotional outbursts, so he’s especially annoyed when she rescues a dog, which becomes the light of her life. While marrying off their remaining single daughter (Elizabeth Moss) at their vacation home in the mountains, Joseph loses the dog during a walk in the woods. Naturally, this sends Beth into a tailspin, so everyone bands together to form a search party. This group includes Joseph’s crunchy granola sister, Penny (Dianne Wiest), her questionable new boyfriend, Russell (Richard Jenkins), Penny’s son Bryan (Mark Duplass), and a gypsy wedding coordinator named Carmen (Ayelet Zurer), who sends the group on countless wild goose chases, based on her “visions.”
Oh, not that it really matters, but the great Sam Shepard plays a not particularly interesting, bumbling sheriff.
As silly as it seems, this premise actually could’ve been a great vehicle for character development and conflict resolution. People wandering around the woods, contemplating life, being honest, facing challenges, learning through adversity, yada yada yada. And it seemed like it was going somewhere at first. But, alas, much like the gypsy’s visions, and a child's or elderly person’s ramblings, it really went nowhere.
Now I, personally, don’t think of the stellar cast as elderly – they’re actually some of my favorites -- but the script sort of treated them as such. It seems as though they were spoonfed bland, easily digestible roles, then sent off to scuttle about in the woods for a couple of days. It was sort of sweet, in a benign and syrupy way, but there were no… pancakes under all that syrup. Ugh, so who served us this plate of pancake-less syrup? That would be writer/director Lawrence Kasden, of The Big Chill and Raiders of the Lost Ark fame.
Say, what?
I’d like to blame Hollywood’s ageism for this waste of an amazing, albeit “mature” cast, but the fault, in my opinion, sits squarely on Kasden’s shoulders. He’s not only capable of more, but being that he’s a sextagenarian like the cast, you'd think he’d be more motivated to represent his peeps a little better. These people are still way too talented to be happy just to be seen. But I guess in Hollywood, it’s better to be patronized than totally ignored.
Sad.
Thursday, May 24, 2012
BIG SCREEN: Men In Black 3 in 3D Revieux (Rated PG-13)
In Men in Black 3, our stylin’ duo, Agent K (Tommy Lee Jones) and Agent J (Will Smith) is once again in a race to save the world. In this case, it’s from a super bad, one-armed alien-guy who’s so nasty that they had to build a high security prison for him, and him alone, on the moon. He breaks out after 40 years, and is ready to exact revenge on the man who put him there. By going back in time to kill K, dude can save his arm and avoid prison. Oh, and this will not only erase K from existence, but also eradicate the awesome shield that’s been protecting the Earth from full-scale alien attack all this time. To save K and Earth, Agent J has to travel back to the 60s to protect the young Agent K.
This premise does two really cool things. The first is revisiting the groovy 60s in Manhattan, and even getting to meet people like Andy Warhol, as portrayed by SNL's Bill Hader. The second is having James Brolin blow our minds with his portrayal of a young Tommy Lee Jones! So. Dead. On.
And how can I forget to mention the divine Ms. Emma Thompson as Agent O, who has taken over for the late Zed (Rip Torn) as head of the agency? Love. Her.
To me, this is an ideal sequel. The chemistry is still there, as is each actor’s distinctive comedic timing and delivery. It still has all the crazy aliens and action and special effects, but it’s also satisfyingly nostalgic, revealing more of the main characters’ backstories. And the 3D was actually cool for once -- seamlessly woven into the movie to enhance it, as opposed to just distract.
While I thoroughly enjoyed the movie, my 6-year-old did not. (Yes, I know it’s PG-13, but many action films are these days, so I slip him in on occasion. Sue me.) He watched the first one with no problem, but for some reason gave this one a thumbs-down, saying it was scary. I don’t know about your kids, but mine enjoys being a bit dramatic from time to time. Never once during the movie did he cover his face or grab my arm – and he certainly didn’t have nightmares or anything that night – yet, he panned it. I’m thinking it had more to do with the fact that they spent a bit more time telling the story than blasting aliens – and I suppose, to a kindergartener, that is pure horror.
Oh, but there’s definitely some cursing, so take that into consideration. Given how much we hear on radio and prime time TV these days, we’ve decided to take the “we don’t say that” disclaimer approach after hearing raw language, rather than put him in a bubble. But, to each his own.
Men in Black 3 is playing now in New Orleans. Visit here to get show times and location.
Saturday, May 12, 2012
BIG EASY: Longue Vue House & Gardens
My morning ran a little longer than I thought, so when I pulled into the tucked-away, bamboo-lined drive at the edge of Old Metairie a full 45 minutes later than I’d planned, I started off on the wrong foot. Immediately, my brain started calculating how much time I could spend here, then get home and tackle a huge to-do list, and still make it to school for pick-up time. STRESS! Thus, my plan became: briskly walk through, get the general gist, then hightail it out of there. Real relaxing, right?!
So, I blazed a trail to the entrance of the Discovery Garden (the first listing on my handy little map), but came to a screeching halt at the bamboo tunnel. Wow. I don’t know if bamboo has some sort of magical effect or if it’s inextricably tied to Eastern spiritual practices in my brain somewhere, but the calming Zen-effect was almost immediate. One or two of my 3,000 clenched muscles seemed to actually relax. Interesting.
Through the tunnel, the first thing I saw was a giant sundial that tells the time based on where your shadow falls. And that set the tone for this whimsical, interactive garden. Where to next? The elaborate herb section, broken down into categories including culinary, medicinal, and even bug repellant? The giant watering can hovering over the Get Gardening Bed stocked with lots of dirt and an abundance of froggy spades for little hands? The Worm Dig with trowels-o-plenty for hunting down the little wigglers? The Recycled Garden and its playful, kitschy display of bathroom fixtures as planters (toilets are pure hilarity to all children, and most men, I think)? All are equally cool.
There’s also a box turtle habitat; a butterfly house filled with big, fat, Disney-esque, Technicolor caterpillars chowing down on leaves; a growing box that allows you to slide open a door to reveal the roots and all the action below ground; and an area stocked with rakes and log-filled wagons for designing your own garden. Whew! (There is also a small, well-placed bank of nice, clean restrooms. Score!)
And, holy smokes, do these folks have programs for kids and families. Of course, there are their ongoing Kinder Garden and Little Masters programs -- which mix art, nature, education, and even movement -- but there are also tons of special events and classes scheduled throughout the year.
But, the Discovery Garden is only the first stop. On goes the tour… In addition to the beautiful surroundings, there’s something very soothing about pea gravel crunching under foot. The further I walked, the more I unwound. My pace slowed as I made my way to the koi pond at the entrance to the Wild Garden. The only drawback: traffic noise from beyond the fence. (It’s no big deal to reroute traffic to accommodate me on my next visit, right?) Luckily a waterfall mutes the traffic sounds a bit on the three serpentine paths that cut through swaths of irises, camellias, and an array of other native flowers and trees – all painstakingly labeled. The Wildflower Walk is lousy with lilies and other fragrant blooms – an excellent reason to take deep, cleansing breaths. Talk about aromatherapy!
Beyond is the lovely Walled Garden (originally the family’s kitchen garden) with its circular patterns and a sugar kettle fountain at the center; The Canal Garden with (duh) a canal-shaped fountain; and The Goldfish Pond and Overlook with another waterfall feature. And finally, I reached the source of the loud, spattering water sounds that had been luring me closer throughout my stroll – The Spanish Court.
After ceremoniously passing beneath a grand loggia, I was delighted by this vista (it’s the one most associated with Longue Vue): a long, lush corridor leading up the house, with a great reflecting pool and majestic arching fountains down the center, and walks along each side that are framed by garden walls and evenly spaced, unique water features, sculptures, plantings, and inviting seating areas. The attention to detail here is remarkable. The walks are paved with a mix of French tiles and polished Mexican pebbles, laid out in rhythmic patterns. I really wanted someone to offer me a refreshing afternoon cocktail and some nibbly things at one of the tables, and maybe a good book, so I’d have an excuse to linger here a little longer. No such luck. But the mere thought unkinked my few remaining tweaked muscles and left me all loosey-goosey.
Closer to the house is a terraced garden, with a geometric boxwood border and some amazingly fragrant trees and bushes. Gardenias are my very favorites and these are actually grown to resemble topiaries! There’s also a yellow garden flanking the adjacent Whim House, inspired by the family’s visit to a monochromatic garden in England.
Unlike the grand houses of River Road, this World War II-era mansion is less of a historical relic, and more of a snapshot of the Stern family who once inhabited it – with most of the furniture and accessories original to the house. Sure, there are amazing intricacies and lavish décor, but more importantly, there are personal artifacts like books, art, a doll collection, irreverent caricatures of Mr. Stern, and signed pictures (with personalized notes for the hostess) from famous guests like Eleanor Roosevelt – all as they left it. This actually makes it far more interesting to me. And I loved learning from the guided tour that the lady of the house had to wait until her modern-art-hating husband bit the dust to create her seemingly out-of-place modern art gallery in the back of the house! I wondered if she financed it with the money she made emptying out his wine cellar and auctioning off its extensive contents!
Ah, with my tour of the house and gardens complete, I felt amazingly calmed and adequately distracted from the noise and tedium of everyday life. I took one last look at the "oak alley" in front of the house, then hopped in the car, turned on a little WWOZ jazz… and promptly had some stupid jerky woman pull out in front of me on Metairie Rd. Are you crazy, you #@$%*! Ugh, right back where I started. But, I had a new secret weapon. “Go back to the koi pond, Liz. BE the koi pond…”
Note: I later returned with my 5-year-old to test the facility’s appeal to the wild, short-attention-spanned set, and I was thrilled with the results. Not only was he all over the hands-on stuff in the Discovery Garden, but he was enthralled with the rest of the gardens, especially the water features. He even did well on the house tour, which only lasted about 20 minutes.
For more information, visit http://www.longuevue.com/
Friday, April 27, 2012
BIG SCREEN: The Pirates! Band of Misfits 3D Revieux (Rated PG)
So, once again, I sent six-year-old Les Bon Temps Boy (with Les Bon Temps Dad) in my place. The last time I did this, I wound up comparing the process of coaxing a review from LBT Boy to eating Jell-O with chopsticks. Well, I’m happy to report, there’s been some improvement. This time, it was more like eating a Jell-O salad with chopsticks. I was actually able to harvest a couple of substantial chunks of feedback in between the slippery, wobbly bits. Not exactly meaty, but let’s give it a go…
Okay, Les Bon Temps Boy, tell me the story of The Pirates! Band of Misfits.
It was all about a captain who wanted to win a game and he had a parrot. It wasn’t really a parrot, it was a dodo. But he thought it was a parrot.
What the -- that’s the story?!
Oh, and the queen was trying to eat the dodo.
Um…?
(I look incredulously to my husband, who gives LBTB a little mental prodding.)
Okay. Let’s try this again. What’s it about?
There are these pirates, they like to eat ham. Their captain wanted to win a Pirate of the Year award, but all the rest of the pirates had big piles of loot, and he didn’t. So, he and his pirates go out and hold up all these weird ships. There’s a field trip ship with a bunch of kids, a ghost ship, and a ship where a guy’s arm falls off.
(It’s a plague ship, LBT Dad interjects.)
So, you’re saying they’re not very good pirates.
No! None of these ships had any gold or money!
Okay, I felt like I was getting a clear picture, but I decided to look it up. Believe it or not, this appears to be a pretty succinct and adequate synopsis of the movie, which is based on the first two books from Gideon Defoe's The Pirates! series.
According to Wikipedia:
“A crew of amateur pirates, under the direction of the ambitious, but equally inexpert Pirate Captain, try to plunder ships so that the Pirate Captain can accomplish his dream of winning the Pirate of the Year Award… After various failed raids on useless ships - including a plague boat, a *nudist boat (*He left that one out?!), and a ghost ship - they hijack the Beagle and encounter Charles Darwin, who informs them that Polly, the supposed parrot of the pirate crew, is actually the last living dodo. The pirates go with Darwin and his trained chimpanzee Mr. Bobo to London… Together, they find out that Queen Victoria is planning to eat Polly and other rare animals…”
Hey, not too shabby, LBT Boy! What was your favorite part?
I liked the monkey best because he holds up signs. And I liked when the guy said, “Some of you are fish dressed up with a hat. And some of you have a broken foot.”
Uh, okay. Guess you had to be there. What else did you like?
When they put the anchor down and they hit the guy in the head! And when the ship backs up and goes, "Beep! Beep! Beep!" And runs into a guy in a row boat!
Excellent. So, it’s pretty funny?
Yes, it’s like Zookeeper.
(I don't recall either of us liking that movie -- see the above link for proof.)
It's like Zookeeper because... there are talking animals?
No! (laughs mockingly) I just told you, the monkey has to hold up signs! He can't talk!
But, you said it was like… never mind. Tell me this -- is it funnier than The Three Stooges?
Hm. Hmmm. Let me think. Um... hm.
Hello? Try to focus here. Not a tough question. I need an answer.
Hmm. No. But it’s still funny. And it was better than Mirror Mirror.
I see. Would you recommend it to your friends?
Yes! I would tell them, “You should go because it’s funny and you would love to see it!”
There ya have it. Another ringing endorsement. Which is backed up by the fact that the movie poster, pictured above, is lovingly tacked up on his bedroom wall, prompting sporadic bedtime recall of random, but apparently hilarious scenarios from the movie.
The Pirates! Band of Misfits opens in New Orleans today, April 27. Click here for a list of theaters and showtimes.
Friday, April 13, 2012
BIG SCREEN: Bully Revieux (Rated PG-13)
So, the movie. It’s a documentary that follows a handful of parents and kids who either are or have endured vicious bullying. They show the reaction (or lack thereof) of school administrators and local officials, and they show, in a brutally honest fashion, the impact of these kids’ torment. This includes isolation, incarceration, and even suicide.
I made it about ¾ of the way through the movie before I completely lost it. It was devastating to watch kids endure emotional torture, but it was the parents and best friend of an 11-year-old boy who had just recently committed bullying-induced suicide that rendered my digging of fingernails into my palms useless against the onslaught of raw emotion.
What impressed me most was when the filmmakers decided, in the middle of production, to show the footage to one of their subject’s parents, as the bullying was escalating into physical attacks. The resulting reactions from his parents and the school officials are incredibly poignant and they illuminate other dimensions of the problem. Adding to the integrity of the film is the fact that it’s backed by The Bully Project, a campaign that’s designed to bring together partner organizations that share a commitment to ending bullying and ultimately transforming society. The website is loaded with information and resources.
Bully is painful, but it’s powerful and important. See it. Show it to your kids. And let the discussions begin.
BIG SCREEN: Life Happens Revieux (Rated R)
Life Happens presents an interesting premise, for sure. Having been a 20-something party girl, and now a boring old married mommy, I was curious to see how these two worlds might collide on-screen.
We start off witnessing a fight over the use of the very last condom in the house, then cut to a year later, as new mommy Kim (Krysten Ritter) – who obviously lost that fight -- is struggling to redefine herself within the confines of single mommyhood. In the meantime, her roomies, Deena (Kate Bosworth), an acerbic writer, and Laura (Rachel Bilson), a flighty virgin, have very cheerfully accepted the roles of live-in babysitters. (Apparently, they are saints.) Now, Kim faces a new challenge: trying to reenter the dating scene. She meets a hot dude, omits her parental status, finds herself caught in a web of lies, her friendships begin to unravel, and both hilarity and disillusionment ensue.
Let me say, first and foremost, that this really is a delightful little cast. Talented, amusing, beautiful… they’ve got it all. Except an awesome script. It’s got some really funny moments, but it’s incredibly flawed and disjointed.
One of my biggest issues with this movie was that it seemed to borrow very heavily from the Friends tv series. Really. Almost verbatim from a couple of quite memorable Monica-and-Rachel scenarios. And while I’m certainly one who’s willing to suspend disbelief for the sake of comedy, it’s a little much to accept that this girl Kim is able to afford rent and utilities in a huge house in L.A. (and later, her own bungalow), baby expenses, car expenses, and incidentals on a DOG WALKER’S salary. Plus, the sharing of childcare is one thing, but the presence of a loud, messy, needy little being in the house seems to have barely put a crimp in the roommates’ swinging single lifestyles. Huh? Talk about fantasy!
I really wanted to like this movie because it had potential, but it just lacked focus. What was the point? A cautionary contraceptive tale? A buddy movie about the evolution of friendship as people enter new phases of life? Because either way, it never took any of the conflicts very seriously, and its portrayal of raising a baby on your own was laughable.
Sigh. Maybe I’m just old and unhip -- and too experienced with the truth about babies to appreciate Life Happens. But maybe young, hip writers should stick to what they know. “Life” hasn’t “happened” to them yet, so maybe they should go with conflicts that are less complicated than child-rearing – like boy trouble. Or Israel vs. Palestine.
Friday, March 30, 2012
BIG SCREEN: Salmon Fishing in the Yemen Revieux (Rated PG-13)
Salmon Fishing in the Yemen is a sweet story about a charmingly geeky and awkward fisheries expert (Ewan McGregor) who is contacted by a consultant (Emily Blunt) whose client, a filthy rich, but deeply spiritual and philosophical sheik, wants to bring fly-fishing to a Middle Eastern desert. He balks at first, but soon finds there’s more than meets the eye in this seemingly silly, impossible task. It takes on great significance to all involved, and begins to mirror their personal struggles.
Sure, there are some geo-political elements sort of tossed into the mix. Culture clashes figure in. And, yeah, there’s a little humor and a sweet love story. But, it’s not a raucous romantic comedy. It’s not a searing social statement. And it’s not a political thriller.
Instead, it’s about gorgeous sweeping vistas and dry British wit and organic dialogue, and the kind of lovely performances for which director Lasse Halstrom (Chocolat, Cider House Rules) is famous for coaxing from his always-brilliant casts. (Case in point: I could watch an entire movie based solely on Kristin Scott Thomas’ deliciously prickly minor role in this movie.)
Someone told me that Halstrom mentioned in an interview that he wanted this movie to be to the audience like a glass of champagne. How perfect is that? Subtle, effervescent, and pairs well with salmon!
BIG SCREEN: Intruders Revieux (Rated R)
This is the perfect storm for neurotic mommies with furtive imaginations. Like me.
Intruders is the story of two children who live in different countries, but are tormented by the same hooded, faceless creature named Hollowface, who creeps into their rooms at night. No one can see this creature except one of each of their parents, who both feel powerless to protect their children. Clive Owen plays the father of the British girl in this scenario, and everyone begins to question his sanity and parental fitness when a shrink suggests he and his daughter are suffering from shared hallucinations. As the movie progresses, the two storylines converge, revealing the connection between the two families, and their shared link to Hollowface.
Hm. So, the premise is intriguing, and the set-up was adequately eery. Clive is quite the opposite of horrifying to look at, and for the first half of the movie, I was quite nervous. Off to a good start. But, ultimately, this movie just left me hanging. I judge a horror movie – or any movie, for that matter – by how much it “follows” me afterwards. For instance, The Skin I Live In (the last horror film I saw) followed me to WalMart, where I suspected each and every shopper of conducting sadistic human experiments in their basements. That's pretty darn effective.
In my opinion, scary movies should leave you thinking irrationally and feeling paranoid. Intruders left me still trying to unravel the true motives and actual origins of the monster, instead of wondering if it was going to show up in my kid’s closet. And for that, I’m actually grateful.
Bawk bawk.
Friday, March 23, 2012
BIG EASY: Royal Sonesta Round Table... Festival Season Preview Edition
I ask you -- who could say no to that?!
The event took place in the hotel’s gorgeous, newly renovated Fleur De Lis Suite, where we were greeted by a smiling gentleman with a table full of bubbly -- and, I'm happy to report, the delightful sound of popping champagne bottles was heard throughout the afternoon.
The best part... the monthly Round Table is hosted by New Orleans Living magazine's ebullient social columnist, Margarita "Darling" Bergen (pictured, right). As well as I’d thought I’d come to know New Orleans, I realized I’m still a babe in the woods when I got an eyeful and earful of the sassy Ms. Margarita. Girlfriend not only knows how to work a fabulous hat, but she works the room like nobody’s business, with a champagne flute in one hand and a microphone in the other. I'm told she knows everyone who's anyone in New Orleans. And she certainly embodies the city's energy. As gracious as she was, she also wasn’t afraid to sternly shush some chatty ladies who weren’t paying attention to the speakers.
Love. Her.
So, on to the festival news…
Marci Schramm, Executive Director of French Quarter Festivals, shared some highlights of the upcoming 29th annual French Quarter Fest, scheduled for April 12-15.
• Coco Robicheaux is playfully featured in this year’s festival poster (pictured, above), by artist Brandon Delles!
• They've added a full fourth day, dubbed Locals’ Lagniappe Day
• There are now 22 music stages, including a new cabaret stage and a traditional jazz stage
• Fireworks are back on Saturday night
• The Children’s Headquarters is expanding to both the Riverfront and the Hermann-Grima House at 610 St. Louis Street
• The kickoff party will be at the House of Blues on Wednesday, April 11 from 6-9pm, featuring singer Robin Barnes.
For a full rundown of events and cool features (like a free shuttle service and smartphone app), visit their site.
Don Marshall, Executive Director of the Jazz and Heritage Foundation discussed the following:
• An economic study showed that Jazz Fest (coming up next month!) is second only to Mardi Gras for cultural events that bring money in to New Orleans – the Saints are third!
• Congo Square Rhythms Festival is this weekend, March 24-25
• Comanche Hunters (Mardi Gras Indians) Big Chief Keith “Ke Ke” Gibson will proudly lead his formidable and always pretty gang from New Orleans’ Ninth Ward during Jazz Fest
• The foundation is stepping up support of middle and high school music programs, including a new program called “Class Got Brass? A High School Brass Band Competition,” which will donate $20,000 worth of instruments to the top three schools that compete
As Terry Verigan, the treasurer of the Tennessee Williams New Orleans Literary Festival spoke, his words were often punctuated by booming thunderclaps, for which he thanked Tennessee! He highlighted the festival’s $1 million economic impact on the city (wow!), and mentioned that tickets to the festival, happening now through March 25, must now be purchased at Hotel Monteleone. Lots of activities, check out the schedule.
After we enjoyed our fabulous lunches and veteran actor and performer Vatican Lokey favored us with some Depression-era tunes (so apropos for the occasion!), the performer who plays adult Simba in The Lion King reminded us that show is going on at the Mahalia Jackson Theater through April 15.
Finally, some lovely Nola doyennes discussed the New Orleans Opera Association's 28th annual Mad Hatter's Luncheon (this year's theme is "Alice") at the Hilton New Orleans Riverside on March 27, as well as the Parkway Promenade, April 1 from 4-7pm, which provides funding for tree planting and beautification projects on public green spaces in Jefferson Parish.
(I'm sure I missed a thing or two but, gimme a break! A girl's gotta sip on that bottomless champagne glass every now and then!)
I have to confess, I bragged shamelessly to my friends in other cities via my personal Facebook page that I’d spent my afternoon surrounded by decadent decor and colorful Nola characters, while being plied with champagne, wine, and fab food. And I got to chat with lovely New Orleans psychic, Cari Roy, the whole time.
They all agreed... Best. City. Ever!
For more information on festivals and other goings-on on New Orleans, please visit www.kidsandfamilyonline.com, and click on the events calendar.
Thursday, March 22, 2012
BIG SCREEN: October Baby Revieux (PG-13)
I was so pulling for this to be a good movie. The concept of a young girl coming to grips with such an unimaginable revelation is compelling and intriguing. Handled correctly, it could be a beautiful, multi-dimensional story that could override any pre-conceived political or morals leanings. There are some genuinely touching moments sprinkled throughout the movie, but, unfortunately, it’s really poorly executed. Which is a shame.
The acting’s not bad, the production quality isn’t either, but the screenplay is a mess. First of all, the reason Hannah finds out about her birth is because she collapses during a school play, and her doctor and parents (John Schneider and Shari Rigby) finally decide to explain the reason for the litany of health issues that have plagued her all her life: she was severely premature.
This seems like basic information they could have shared with her long ago, but okay, proceed. While sitting rigidly apart from their daughter in a sterile doctor’s office, her parents also blurt out that she was adopted. And, oh yeah – your birth mother tried to abort you. Call me crazy, but this seemed totally unnecessary and cruel from a parental point of view. The adoption part probably should have been broken to her in the comfort of their home, in a tender and loving way. And the abortion part probably could’ve been left out. Oh my gosh, what possible reason could you have for telling your child this? I’ll tell you why, because the screenwriters were too lazy to come up with a more creative way for her to find out.
Another odd little element in this scene occurred when the doctor was leading up to the big revelation. He tells her that this terrible truth is the common denominator for all her illnesses and the emotional distress that led her to write about self-hatred and borderline suicidal thoughts in her journal.
Wait, what? Were they saying she suffered emotional scars from the failed abortion? I chose natural childbirth, which wound up leading to a very traumatic labor and delivery for my son – are they saying the circumstances of a child’s birth could damage them psychologically for life? Good grief, I’d like to see the research on this. Actually, no I wouldn’t. But thanks for planting that troubling concept in my head, and for distracting me from the central message of the movie.
As Hannah sets off on her journey to find her birth mother, there are some glaringly silly distractions along the way. Like when, on two occasions, they get into serious trouble with the law, but are let completely off the hook by police officers who melt like butter when Hannah blurts out her story. A little too convenient and unlikely. I mean, points for setting out stumbling blocks for our protagonist to overcome, but deductions for the lame resolutions, or lack thereof. Oh, and did I mention that the same girl who was in constant contact with her inhaler for the first ten minutes of the film, and who was just released from an overnight stay in the hospital, is miraculously healthy and strong throughout the rather grueling trip?
Like I said, there were some genuinely touching moments in the movie, and it had some real potential. Hendrix did a good job of conveying Hannah’s agony. At times, I sort of bought the father-daughter connection (which is more than I can say for mother-daughter one). The relationship between Hannah and Jason is quite sweet, and Jasmine Guy certainly turns in a strong performance in her brief but pivotal role. But, overall, it felt like a sloppy after school special. It wasn’t overly preachy or political, but it didn’t feel authentic -- like the writers took too many shortcuts.
I’m all for a movie with a positive message, but how about take the time to finesse a plausible and well-structured screenplay to support that message? It will probably play well to a limited audience (mainly teen girls, and maybe some parents), but I think they wasted the opportunity to appeal to a wider audience. Which is a shame.
October Baby opens at AMC Elmwood Palace in Harahan on Friday, March 23.
Sunday, March 18, 2012
BIG EASY: 'Disney’s The Lion King' Theater Revieux (with special guest revieuxer…)
It sounded like a good idea at the time. However, getting his feedback was a little like trying to eat Jell-O with chopsticks. But, let’s give it a shot. Take it away, LBT Boy…
When we got there, we were kind of early. We had to wait about eight hours for the show to start, but I got a Capri Sun and a goody bag with pretzels and fruit snacks. That was good.
So, you somehow entered a timewarp, but managed to score awesome refreshments. Got it. Do go on.
Then we got to our seats, and they started playing music, and giraffes and birds and a “hunormous” elephant came marching in from behind us. They were puppets. Some looked real, and some didn’t. I could see the strings sometimes. They really need to work on getting invisible strings.
Duly noted.
When asked to elaborate on the puppets, his description became more show than tell, with a whole lot of pantomime and sound effects, so LBT Dad had to step in with a more coherent explanation. Much of the puppetry involves mechanical headpieces and large, elaborate costumes that require tools, and often more than one person, to move all the parts. A little research revealed that the techniques they use are Bunraku Puppetry from Japan, and shadow puppetry from Indonesia.
Okay, back to LBT Boy. Let’s hear about the story…
Simba’s dad (Mufasa, the king) is trying to teach him how to be a lion, but everyone laughed when he tried to roar. His uncle (Scar) was a bad lion who kills his father. Simba was trying to climb up to get away from a herd of wildebeests. His father came to help, but the uncle stabbed him with his claws and made him get run over. I didn’t like that part.
Simba’s uncle tells him it’s his fault his dad died, so Simba runs away. His new friends are a hog (Pumba, the warthog) and a little tiny guy with a hairy head and a hairy bottom (that’d be Timon, the meerkat), and he grows up. And his friends teach him to say “potato potata” (he either meant ”hakuna matata,” or the production has gone Gershwin, which I would enjoy). He went back and met his girlfriend and they kissed! Oooooh, we can’t have girlfriends at school! Then Simba got to be king.
Excellent. So, the storyline is easy to follow. And PDA is discouraged in kindergarten. Good to know.
I didn’t need to ask about his favorite part, as he interjected it into his synopsis (which I edited out, you're welcome) about every minute-and-a-half. Apparently, there is a monkey who occasionally pops in to shake its bottom or swing across the stage. LBT Dad informed me that this took up about 30 seconds of the entire show, but, if the level of hysterical laughter is any indication, it will be the highlight of LBT Boy's oral review to his schoolmates. And a letter home will likely follow.
How ‘bout some final words from LBT Boy...
What did you like least about the show?
When Simba’s dad died.
What did you like best? Besides the monkey.
I liked the music and the lights and the costumes.
Would you go see it again?
No. It was too long.
But , would you recommend it to your friends?
Yes!
Why?
Because they’d really like to see the monkey shaking his bottom!
Sigh. Jell-O and chopsticks, folks.
The Lion King is at the Mahalia Jackson Theater through April 15. Despite LBT Dad’s hilarious impression of LBT Boy’s frequent fidgeting and brief nap, they both gave the show high marks, overall. At almost 2 ½ hours (with a 15 minute intermission), perhaps the show runs a little long (especially the 8pm shows) for some kids. Maybe try an earlier show and/or stick with kids over 8. Go here for ticket information.
Friday, March 2, 2012
BIG SCREEN: A Separation Revieux
A Separation is the story of an Iranian couple in the midst of crisis. Simin, the wife, wants to move abroad, while the husband, Nader, feels compelled to remain in Iran to care for his father, who lives with them and suffers from Alzheimer’s. They reach a total impasse, and things get ugly. Caught in the middle is their bright and sensitive 11-year-old daughter, who is obviously suffering under the strain of the contention.
As the strife escalates, Simin moves out, and a series of terrible events leads to even more legal and emotional distress for all involved.
It’s definitely a well-written, beautifully acted, heartbreaking story, but what elevates it, in my book, is its raw humanity. There’s no political message, no agenda. It completely transcends any cultural differences, making it totally relatable.
Hm, we may not be as different as we thought? What a concept.
I know a lot of people are turned off by foreign films and their subtitles, but man – it’s such a great opportunity to get some new perspective on other cultures, beyond the rhetoric and actions of their politicians. It ain’t gonna settle any international disputes, but a little artistic common ground and a little objectivity couldn’t hurt.
A Separation opens today at Canal Place Theatres.
Thursday, January 26, 2012
BIG SCREEN: A Dangerous Method
That’s sorta how I felt about A Dangerous Method.
So, the story… it gives us a glimpse into the volatile relationship between psychological pioneers Carl Jung (Michael Fassbender) and Sigmund Freud (Viggo Mortensen), which developed in the years leading up to World War I in Zurich and Austria. Along comes a really, really disturbed patient named Sabina Spielrein (Keira Knightley), who becomes one of the first female psychoanalysts, but only after drawing her doctor, Jung, into a sexual relationship that completely screws up his sensibilities and further complicates his relationship with Freud.
According to the official studio synopsis: “Sensuality, ambition and deceit set the scene for the pivotal moment when Jung, Freud and Sabina come together and split apart, forever changing the face of modern thought.”
Sounds titillating and thought-provoking and fascinating, no?
Knightly’s performance is certainly adequately disturbing and extreme, but everyone else gets lost in (I’m guessing) an attempt to remain overly understated, stifled, restrained. A tension-building technique? Snore.
Mortensen’s, well, Freudian relationship with his ubiquitous cigar is pretty much the most notable part of his performance. And I kept waiting for Fassbender to explode or implode or pretty much do anything not subdued.
Not their faults, though. A so-so script and dull direction at the hands of festival darling David Cronenberg (Crash, History of Violence) are to blame, says me. Give me new insight into Freud and Jung… illustrate how revolutionary their concepts were for their time… make me believe in or become excited by any one of these relationships! But, alas, it wasn’t meant to be.
Sadly, with all the fabulous ingredients -- great actors and cool subject matter and costumes and such – it comes up rather bland. Lukewarm. Needed salt. And maybe a shot of Tabasco.
Sunday, January 22, 2012
BIG EASY: Enter the Dragon: Restaurants for celebrating Chinese New Year in New Orleans
Apparently, New Orleans once had an actual Chinatown on the 1100 block of Tulane Avenue, but much of this block have been shuttered since Hurricane Katrina. And none of the Chinese churches or cultural societies I contacted have any festivities or celebrations planned this year.
What? New Orleans is missing an opportunity for a parade and festival?! Someone needs to look into this...
But, never fear, we’ve got some tasty Chinese establishments to satisfy our celebratory needs with saucy stir fries, sumptuous dumplings, and such. Maybe you've been blessed with children who have adventurous palates? Lucky you.
Here are five of the top Chinese restaurants in New Orleans to visit or from which to order to celebrate this auspicious occasion:
1. Five Happiness (Mid-City)
3605 S Carrollton Ave
New Orleans
(504) 482-3935
2. China Doll Restaurant
Harvey
(504) 366-1111
3. Hot Wok
901 Veterans Memorial Blvd
Metairie
(504) 831-3328
4. Chinese Tea Garden (Gentilly)
2170 Filmore Ave
New Orleans
(504) 282-1493
5. China Rose (Fat City)
3501 N Arnoult Rd
New Orleans
(504) 887-3295
(Originally posted on GoNola.com)